By the time I publish this, I will have just finished presenting at the 40th annual North American Cartographic Information Society (NACIS) conference. NACIS is a large community of map enthusiasts who meet once a year to share and learn about cartography projects. This year’s conference is being held virtually due to the current pandemic crisis.
The North American Cartographic Information Society (NACIS) holds a marvelous annual conference, and this year’s was in Tacoma, Washington just 90 minutes down the road from my house. I gave a talk on the techniques I use to draw mountain topography with colored pencils. The first few minutes give a little background of my PNW
By the time you are reading this, my colleague John Nelson and I will have presented to a bunch of fantastic creatives at Adobe MAX 2019 about making maps as designers. Designers make gorgeous maps, because oftentimes they don’t confine themselves to super strict ideas of what a map should look like. Plus, well… they’re
Making maps is fun. As a cartographer, I’m biased to feel this way. Still, when I tell people that map-making is my career, a lot of people respond with “I love maps!” so I am not alone in realizing maps’ awesomeness. At the upcoming Adobe MAX 2019 conference I will be presenting alongside my colleague
It is October 2019, and time to begin a new website. You’re here when this page is brand new! Super fresh (‘fresh’ sounds more exciting than under development’). I’m excited about it. Next week, I will be posting a tutorial for steps to draw hand-drawn hillshade maps with colored pencils, and I wanted to get
The High Alpine typeface is available now!
High Alpine Semibold has an unapologetically high ascender with no accompanying adjustment to the x-height. The descender was kept rather short as well, allowing uppercase to maintain its towering command. For moments when you designers feel like reaching ultimate heights, I’ve added many alternative characters; uppercase crossbarred characters have alternatives with daringly high crossbars, and stemmed lowercase characters have longer-stemmed alternatives. Many further glyphs are included with this font to accommodate multiple languages.