Welcome to the first installment of Color Palette of the Day. Despite its name, this series will not be a daily occurance. I will post to this new series each time I create a color scheme I enjoy – and apply a palette of that scheme to some work. These posts will have three parts:
In a few quick steps, you can give a circle-shaped vector path a 3D-rendered appearance in Adobe Illustrator. I’m a cartographer – I make maps. So in the video posted below, I will use this technique on a globe of Earth. However, any graphic designer can use the video’s techniques for any time they want
By the time I publish this, I will have just finished presenting at the 40th annual North American Cartographic Information Society (NACIS) conference. NACIS is a large community of map enthusiasts who meet once a year to share and learn about cartography projects. This year’s conference is being held virtually due to the current pandemic crisis.
The North American Cartographic Information Society (NACIS) holds a marvelous annual conference, and this year’s was in Tacoma, Washington just 90 minutes down the road from my house. I gave a talk on the techniques I use to draw mountain topography with colored pencils. The first few minutes give a little background of my PNW
By the time you are reading this, my colleague John Nelson and I will have presented to a bunch of fantastic creatives at Adobe MAX 2019 about making maps as designers. Designers make gorgeous maps, because oftentimes they don’t confine themselves to super strict ideas of what a map should look like. Plus, well… they’re
Making maps is fun. As a cartographer, I’m biased to feel this way. Still, when I tell people that map-making is my career, a lot of people respond with “I love maps!” so I am not alone in realizing maps’ awesomeness. At the upcoming Adobe MAX 2019 conference I will be presenting alongside my colleague
The High Alpine typeface is available now!
High Alpine Semibold has an unapologetically high ascender with no accompanying adjustment to the x-height. The descender was kept rather short as well, allowing uppercase to maintain its towering command. For moments when you designers feel like reaching ultimate heights, I’ve added many alternative characters; uppercase crossbarred characters have alternatives with daringly high crossbars, and stemmed lowercase characters have longer-stemmed alternatives. Many further glyphs are included with this font to accommodate multiple languages.